Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Tuesday, January 4, 2011

HTML for columns in Blogger...

0 comment(s)
{table border="1"}{colgroup}{col valign="top" width="50%"}{colgroup}{col valign="top" width="50%"}{thead}{tr}{th}LATIN{/th}{th}ENGLISH{/th}{/tr}{/thead}{tbody}{tr}{td}Put the Latin here{/td}{td}Put Enlgish here{/td}{/tr}{/tbody}{/table}

(Replace {} with <>.)

I got this code in the combox of this post at the Smithy. Sullivan posted a lovely little poem by Notker of St Gall and I will now put it in a column-box to get a feel for this HTML.

LATINENGLISH
Hoc praesens diecula loquitur
praelucida,
adaucta longitudine,
quod sol verus radio sui
luminis vetustas mundi
depulerit genitus tenebras.

Nec nox vacat novi
sideris luce,
quod magorum oculos
terruit scios:

Nec gregum magistris
defuit lumen,
quos praestrinxit claritas
militum dei.

Gaude, dei genetrix,
quam circumstant obstetricum vice
concinentes angeli
gloriam deo.
This present little day proclaims,
illumined,
its length increased,
that the true Sun by the ray
of its light has driven off
the ancient darknesses of the world.

Nor does this night lack
the light of the new star,
which terrified the knowing
eyes of the magi:

Nor was light lacking
for the masters of their flocks,
who were stricken by the brightness
of the soldiers of God.

Rejoice, O god-bearer,
who instead of midwives are surrounded
by angels singing in harmony
glory to God.

Saturday, October 30, 2010

Assonance is as assonance does…

0 comment(s)
The following is "Pange Lingua" in Chinese.

1.信友齊來歡呼讚吟,吾主聖體無限情,救世羔羊聖血流傾,贖世犧牲換太平,天地大君榮王天庭,甘受苦難救我靈。

2.聖子降生自取人形,至聖童貞為母親,三十三載天涯飄零,山野海角佈福音,終身橫遭輕慢辱凌,架上七言終其行。

3.耶穌受難前夜晚上,偕諸宗徒聚華堂,遵順古教禮儀習尚,宰殺羔羊分啖嘗,建立聖體罪債普償,洪恩長流澤萬邦。

4.真主真人萬世稱揚,麵形聖化成神糧,酒亦成聖血爵中藏,全信勿疑主榮光,敬禮朝拜耶穌君王,無限深情滿人望。

5.皇皇聖體奧蘊深玄,我眾匍匐主臺前,羔羊聖牲新祭禮獻,摒除古教棄舊典,虔誠全信以至永遠,五官所缺信心堅。

6.聖父聖子聖神尊高,至仁至善萬民朝,齊頌德能神恩豐饒,敬禮讚美共歡躍,天主聖三無限蘊奧,永生永王享榮耀。    

阿們。

I go to Eucharistic Adoration nearly every Thursday and we sing the 5th and 6th verses every time. The fifth is the famous "Tantum ergo" verse. When we finished singing last week, I perused the other verses and noticed something remarkable: all the final characters in each stanza of each verse are assonant! As I may have explained before, while I love music, I only have scant musical talent. This means I am easily wowed by most musical accomplishment, as long as it "doesn't completely suck." So, to a real musician and/or songwriter, the assonance (諧音)of the hymn (聖歌)may seem trivial. On the other hand, I consider myself an amateur poet and a compulsive wordsmith, so I am hardly indifferent to the subtleties of rhyme and assonance. Given my credentials, the composition strikes me as a brilliant success.

I will now reproduce the lyrics, but indicate the pronunciation of the final characters:

1. 信友齊來歡呼讚吟 [yin],吾主聖體無限情 [qíng],救世羔羊聖血流傾 [qín],贖世犧牲換太平 [píng],天地大君榮王天庭 [tíng],甘受苦難救我靈 [líng]。

2. 聖子降生自取人形 [xíng],至聖童貞為母親 [qin],三十三載天涯飄零 [lîng],山野海角佈福音 [yin],終身橫遭輕慢辱凌 [líng],架上七言終其行 [xíng]。

3. 耶穌受難前夜晚上 [shàng],偕諸宗徒聚華堂 [táng],遵順古教禮儀習尚 [shàng],宰殺羔羊分啖嘗 [cháng],建立聖體罪債普償 [cháng],洪恩長流澤萬邦 [bang]。

4. 真主真人萬世稱揚 [yáng],麵形聖化成神糧 [liàng],酒亦成聖血爵中藏 [cáng],全信勿疑主榮光 [guang],敬禮朝拜耶穌君王 [wáng],無限深情滿人望 [wàng]。

5. 皇皇聖體奧蘊深玄 [xuán],我眾匍匐主臺前 [qián],羔羊聖牲新祭禮獻 [xiàn],摒除古教棄舊典 [diân],虔誠全信以至永遠 [yuân],五官所缺信心堅 [jian]。

6. 聖父聖子聖神尊高 [gao],至仁至善萬民朝 [cháo],齊頌德能神恩豐饒 [ráo],敬禮讚美共歡躍 [yùe],天主聖三無限蘊奧 [ào],永生永王享榮耀 [yào]。    

阿們。

(Can you guess how to say 阿們?)

Now here is an English translation of the hymn, which I have annotated for assonance and rhyme:

Sing, my tongue, the Savior's glory [A],
of His flesh the mystery sing [B];
of the Blood, all price exceeding [B],
shed by our immortal King [B],
destined, for the world's redemption [B?],
from a noble womb to spring [B].

Of a pure and spotless Virgin [C]
born for us on earth below [D],
He, as Man, with man conversing [C],
stayed, the seeds of truth to sow [D];
then He closed in solemn order [E]
wondrously His life of woe [D].

On the night of that Last Supper [F],
seated with His chosen band [G],
He the Pascal victim eating [G?],
first fulfills the Law's command [G];
then as Food to His Apostles [H]
gives Himself with His own hand [G].

Word-made-Flesh, the bread of nature [I]
by His word to Flesh He turns [J];
wine into His Blood He changes [J?];
what though sense no change discerns [J]
Only be the heart in earnest [J?],
faith her lesson quickly learns [J].

Down in adoration falling [K],
This great Sacrament we hail [L],
Over ancient forms of worship [M]
Newer rites of grace prevail [L];
Faith will tell us Christ is present [N],
When our human senses fail [L].

To the everlasting Father [O],
And the Son who made us free [P]
And the Spirit, God proceeding [Q]
From them Each eternally [P],
Be salvation, honor, blessing [Q],
Might and endless majesty [P].
Amen. Alleluia.

Not a terrible effort, but perhaps you are as struck as I am by how erratic the assonance-scheme is. (Or perhaps my philistinism prevents me from seeing how the scheme is an instance of a genuine poetic device.) With the exception of xuán, diân, and yùe, I find all the assonance in the Chinese version to be much tighter. Further, if we represent the phonetic theme (A, B, etc.) of each verse (1–6) in the Chinese version, we have 1:A, 2:A, 3:B, 4:B, 5:C, and 6:D, compared to at least a dozen different phonemes in the English version. Granted, there may be a more rigorously assonant English version I have not cited, but perhaps now you can see why the assonance of the Chinese struck me so forcefully.

Finally, here is the original Latin for the hymn, in which I shall note the assonance and rhyme.

Pange, lingua, gloriosi [A]
Corporis mysterium [B],
Sanguinisque pretiosi [A],
quem in mundi pretium [B]
fructus ventris generosi [A]
Rex effudit Gentium [B].

Nobis datus, nobis natus [C]
ex intacta Virgine [D],
et in mundo conversatus [C],
sparso verbi semine [D],
sui moras incolatus [C]
miro clausit ordine [D].

In supremae nocte coenae [D]
recumbens cum fratribus [E]
observata lege plene [D]
cibis in legalibus [E],
cibum turbae duodenae [D]
se dat suis manibus [E].

Verbum caro, panem verum [B]
verbo carnem efficit [F]:
fitque sanguis Christi merum [B],
et si sensus deficit [F],
ad firmandum cor sincerum [B]
sola fides sufficit [F].

Tantum ergo Sacramentum [B]
veneremur cernui [A*]:
et antiquum documentum [B]
novo cedat ritui [A*]:
praestet fides supplementum [B]
sensuum defectui [A*].

Genitori, Genitoque [D*]
laus et jubilatio [G],
salus, honor, virtus quoque [D*]
sit et benedictio [G]:
Procedenti ab utroque [D*]
compar sit laudatio [G].

Amen. Alleluja.

Arguably, I am being too generous with the Latin by grouping technically distinct sounds under the same phonetic-letter, but, for one thing, Latin is a famously assonant language, so I don't think I'm violating the "phonetic sense" by which "Pange Lingua" was composed, and, second, I was actually being magnanimous in my analysis of the English version by keeping very obliquely assonant phonemes under one heading. Clearly, the Chinese edition strives, and succeeds, to duplicate the assonance of the original Latin; indeed, it seems to have outdone it! I admit this is not a huge shock, considering how homophonic Chinese is, but it was a small breakthrough, or perhaps just a milestone, in my ongoing absorption of Chinese.

Since talk is cheap, I leave you with a fine rendition of the hymn with Latin subtitles (and on a Chinese website, no less!).

Friday, October 15, 2010

Sail on! Sail on!

0 comment(s)
The following poem by Cincinnatus Miller, aka Joaquin Miller (1841?-1913), comes to you by way of this post about Columbus at Almost Chosen People. I admit, with chagrin, that I had not heard (of) Miller's "Columbus" until reading ACP's post. The following is meant to piggyback on my own recent post about Columbus and liberalism.

Behind him lay the gray Azores,
Behind, the Gates of Hercules;
Before him not the ghost of shores;
Before him only shoreless seas.
The good mate said: “Now must we pray,
For lo! the very stars are gone.
Brave Adm’r’l, speak: what shall I say?”
“Why say: ‘Sail on! sail on! and on!’”

“My men grow mutinous day by day;
My men grow ghastly wan and weak.”
The stout mate thought of home; a spray
Of salt wave washed his swarthy cheek.
“What shall I say, brave Adm’r’l, say
If we sight naught but seas at dawn?”
“Why, you shall say at break of day:
‘Sail on! sail on! sail on! and on!’”

They sailed and sailed, as winds might blow,
Until at last the blanched mate said:
“Why, now not even God would know
Should I and all my men fall dead.
These very winds forget their way;
For God from these dread seas is gone.
Now speak, brave Adm’r’l; speak and say—”
He said: “Sail on! sail on! and on!”

They sailed: they sailed. Then spake the mate:
“This mad sea shows his teeth tonight;
He curls his lip, he lies in wait,
With lifted teeth, as if to bite!
Brave Adm’r’l, say but one good word:
What shall we do when hope is gone?”
The words leapt like a leaping sword:
“Sail on! sail on! sail on! and on!”

Then, pale and worn, he kept his deck,
And peered through darkness. Ah, that night
Of all dark nights! And then a speck—
A light! a light! a light! a light!
It grew; a starlit flag unfurled!
It grew to be Time’s burst of dawn.
He gained a world; he gave that world
Its grandest lesson: “On! sail on!”

After posting "Columbus", ACP adds this coda, with which I heartily agree.

On Columbus Day I honor a faithful Christian who had a dream to spread the faith of Christ throughout the globe and the courage to make that dream a reality. Historians and critics will argue about Columbus until the final trump, but what he accomplished is a reality that will withstand all analysis and criticism. Let us give the Admiral of the Ocean Sea the last word. “By prevailing over all obstacles and distractions, one may unfailingly arrive at his chosen goal or destination.”

Wednesday, October 6, 2010

Notes on ESL poetry reader…

0 comment(s)
Whitman, All of Me

Night Flower

Hughes, A Dream Deferred

West Tower

Ref: In the Palm of Your Hand

Saturday, June 12, 2010

Ghosts to each other…

0 comment(s)
Ghosts we are
To each other we are ghosts
To each other
Saying boo without a word
And a lot of boohoo
without you know who
Boo!
Ghosts to each other
You shoe me off
and boo me off
the stage
As if it were just a stage
just a phase
Just a phantasm
Phased out, phantastic
But I say boo to all your booing boo-boos
Digging well after well
to find what made me well
Filling well after well
with tears that make me ill
And you, you there
Boo!
Throwing up
and blowing up
wall after wall
to wall me away
as you walk away
trying to walk me off
like a cramp you loved your whole youth
Walling and walking
shoeing and booing me off
into wall after wall
But walls work both ways
I can't come in
but you can't go out
You made me a ghost
And became a ghost in ghosting me
But don't you know
ghosts can walk through walls?
Unless the walls they make
are as ghostly as themselves
Walls you boo up
that won't let you really walk away
until I blow them up
Booing up wall after wall
just more for me to walk through
since I won't walk away
I won't be walked off
once you locked on
Ghosts to each other
Grasping what haunts us
Haunting everything we try to grasp
to gasp
Grasping
Gasping
From all that damned booing
And phantastic gooing
And own-eye-gouging, self-starving, stoical shoeing away
I don't mind being a ghost
if you don't mind making yourself my host

Wednesday, November 5, 2008

Past On

0 comment(s)

Past On, or

The Past too Shall Pass


by Elliot Bougis

(591 words)


The past

parts.

But the past parts

––do they part?

Time lost

is the only time

we know,

the only time

we gain

with the tender called pain.

We speak in echoes;

we serve the dead.

The passed on

we know

are free

from the pull of the past

as the fallen vase

we hide,

and the fallen heart

we hid,

are free

from the pull of gravity,

and the hard hands of hope.

To be free of time,

outside time…

To surpass the past

by passing…

Gam zeh ya’avor.

+ + +

Memory flees

the touch of the mind

as oil from the touch of soap

on the empty face of water

four-cornered flees.

At the faintest touch

the past collapses

into itself

like a folded blanket

of darkness––

stripped, shelved, delved, but mute––

strangely,

like a dark comforter.

Memory hides

from the tongue of recollection,

from the lips of introspection,

as darkness only darkens

when a beam of 'lectric light

licks the night.

The gleam of the present

blinds the eye of the mind––

tiny rods toppled and burst,

incandescent,

like bowling pins aflame––

as a torch in hand

blinds the probing

nighttime eye, aye, I.

Thus does dark's ancient foe,

thus does the light,

become a tool of darkness

for the fool in darkness,

much as the present––

the fruit of the past,

unripe or rotten,

only we can say

in time––

casts its full-grown hunched shadow

over the soiled seeds

of the past.

Get thee behind me.

+ + +

In time

the mind drifts back

in time:

just as the body melts into its present––

stark, dense, fleeting,

inescapable, and invisible––

so paraffin fumes fume,

and escape,

so hot

then not,

in time;

while the body,

the body built of wax

so cool,

then hot,

melds in place,

the brittle debris of flickering glory:

a cenotaph of light

in the cenotaph

of time,

in space.

Was it here that I stood

that day, or

is it only here that I stand

this day?

Which is the press

and which the palimpsest?

“Memory speaks

before knowing remembers.”

But I wonder, aye,

who is at which end

of the microscope…

And who dials,

and who picks up.

+ + +

Where I find myself––

is it the same where

where I found a place

for myself?

One when

where I won,

staked my claim

in time;

struck a furrow in space,

scattered seeds,

in case;

my nails scratching, digging,

saying this is mine,

in time,

this place,

this furrowed face,

all mine

to mine.

The puzzle of myself––

is it really made of the pieces I find

in myself?

Am I just a collage

of my past, or

am I just the shadow

cast ahead

in time,

my future,

a corridor of opaque hope,

cast for me, from me, by me, despite me,

by the dying light of past-lit candles

called memories?

What does the past impart

when it parts?

What does the present leave

when it leaves?

Is my present

the key

in that dark void of past passion,

or only just another way

of telling the riddle

in reverse?

We shroud, we shred

the echoes

under a laughter––

call it progress––

that mocks the dead

for making us.

Slip the yoke and change

the joke––

or is it just

a change of the joke

with a self-tied yoke?

+ + +

My past has cost me

so much of my past.

The time has come,

time has come

and gone,

for the past…

Time is up

for the past:

to go now,

in time.